What does it all mean?
With Christmas approaching faster than the sales (I hope), the meaning of what Christmas is actually all about may start to engage some people who don't usually care about such things.
Even those who wouldn’t call themselves ‘religious’ use the festive period for a bit of reflection, even if it’s only after too much to eat and drink and relates to New Year resolutions.
But while the festive season may give some people pause for thought, as communicators, perhaps we need to ask what we really mean when we communicate anything. Often the pressure of deadlines means that we don’t give our communications too much thought; we just get on with it and get it out there.
Sometimes what we have to say is designed to grab attention at a more visceral or emotional level and perhaps we feel that’s where the creative impulse needs to come from, too. But I think that a bit of serious thought, even a little bit, about what we’re doing, why we’re doing it, and who we’re doing it for, will be worth it in the end.
If you’ve ever seen the detailed notebooks of a creative genius like Leonardo da Vinci, you’ll know that there was a man whose thoughts were as active as his feelings and who planned his artistic works every bit as meticulously as his scientific inventions.
A senior detective I knew used to talk about the need for ‘lazer vision’ as he encouraged his staff to think through the use of every bit of evidence they collected; how would it stack up in court? How will you present it? Does it have weaknesses? To win a case, he and his team needed to ensure that everything they did was focused on the aim of ensuring a successful prosecution.
I think these are lessons for all walks of life, and for communications the need to have the end in mind is a very useful one. What am I producing this for? What do I want recipients to think or feel when they receive it? Questions like these at the very start of a project are never wasted. They needn’t take up too much time, but ignoring them might cost you a lot more in the long run.
Even those who wouldn’t call themselves ‘religious’ use the festive period for a bit of reflection, even if it’s only after too much to eat and drink and relates to New Year resolutions.
But while the festive season may give some people pause for thought, as communicators, perhaps we need to ask what we really mean when we communicate anything. Often the pressure of deadlines means that we don’t give our communications too much thought; we just get on with it and get it out there.
Sometimes what we have to say is designed to grab attention at a more visceral or emotional level and perhaps we feel that’s where the creative impulse needs to come from, too. But I think that a bit of serious thought, even a little bit, about what we’re doing, why we’re doing it, and who we’re doing it for, will be worth it in the end.
If you’ve ever seen the detailed notebooks of a creative genius like Leonardo da Vinci, you’ll know that there was a man whose thoughts were as active as his feelings and who planned his artistic works every bit as meticulously as his scientific inventions.
A senior detective I knew used to talk about the need for ‘lazer vision’ as he encouraged his staff to think through the use of every bit of evidence they collected; how would it stack up in court? How will you present it? Does it have weaknesses? To win a case, he and his team needed to ensure that everything they did was focused on the aim of ensuring a successful prosecution.
I think these are lessons for all walks of life, and for communications the need to have the end in mind is a very useful one. What am I producing this for? What do I want recipients to think or feel when they receive it? Questions like these at the very start of a project are never wasted. They needn’t take up too much time, but ignoring them might cost you a lot more in the long run.
